EVERGREEN - 3D-Printed Sculptural Table Lamp

Collection / Pacific Northwest / Evergreen

EVERGREEN switched on, light fanning out across the surface

On · studio1 / 6

Object

Corded sculptural table lamp

Form

Deep evergreen rib cage, staggered heights

Light

Visible internal bulb, warm glow through the gaps

Sizes

H 10.5 × W 7 in · H 13.5 × W 8.5 in

A walk through the forest became a light.

EVERGREEN began with the vertical rhythm of Pacific Northwest forests: tall trunks, moss, ferns, open air, and water beyond the trees.

Moss-hung trunks rising into the canopy — **Field note**Tall trunks, and open air between them.

Close view of moss on bark — **Texture**Moss on bark — a surface built up slowly.

A waterfall seen through a gap between two dark trunks — **Depth**Water beyond the trees; the gaps are part of the view.

Origin

EVERGREEN was born from walks through the forests around Seattle. We kept returning to the same visual language: tall trunks, dense green layers, moss, ferns, water, and narrow openings of light.

The lamp carries that rhythm indoors. Its vertical ribs make a small architecture of trees, and no two of them stop at the same height — the top edge reads like a treeline against the sky.

After months of printed rib studies, material testing, and light experiments, that memory became a sculptural lamp that glows from within.

Low sun bursting through a stand of evergreen trunks — **On the trail**Late sun through the trunks.

EVERGREEN switched on, its ribs throwing radiating lines of light — **In the room**EVERGREEN, switched on.

The same light, carried home.

From forest to form

Unrolled, the top edge is a treeline.

UNROLLED · Walk once around the lamp and read its top edge: eighty ribs, cut to nine heights, never in a tidy order.

Back where it began.

We took EVERGREEN back to the forest that shaped it: onto moss, between ferns, into the last light of the day. Off, it disappears among the trunks. On, it becomes the camp light you walk towards.

EVERGREEN lit on a mossy log in a forest clearing at dusk — **Dusk**A clearing, the last lightOn

EVERGREEN switched off on moss among tall trunks — **Moss**Among the trunksOff

EVERGREEN switched off beside ferns and bark — **Fern**Against the barkOff

Close view of the staggered tops of EVERGREEN's ribs

The bulb seen through a gap between ribs

Every rib is part of the silhouette.

The surface carries the trace of its making, while the spacing between each rib controls how light escapes into the room.

From trail to table.

Developed over months through repeated printed rib, material, and lighting studies.

01
Observe
Pacific Northwest forests: the fluted base of an old cedar, moss, ferns, water, filtered light.
02
Translate
Turn the vertical rhythm of the forest into a sculptural rib cage.
03
Print
Develop individual rib forms and test proportions, layer by layer.
04
Refine
Adjust spacing, thickness, height, material appearance, and light transmission.
05
Illuminate
Test how the internal bulb changes the object and the room.

03 · Print, up close

One file. 1,225 layers.

Built from the real print file: eighty ribs rising together from a solid base ring, 0.2 mm at a time. Press play to watch it grow, or drag the slider.

Layer 0 / 1,225Ribs —Time ≈ 0 h

EVERGREEN rendered from its print file, building up layer by layer

Top view of the ribs at the current layer — **Layer view**What the nozzle draws at this height.

Ribs: 80
Heights: 9
Layer: 0.2 mm
Printer time: ≈ 34 h

In the studio

Watch it print.

Real footage from our printer. Every EVERGREEN starts as a solid base ring, grows eighty ribs side by side, and finishes with the tallest ones, alone at the top.

Base: A solid ring at the bottom anchors every rib.
Ribs: Eighty ribs rise together, two walls thick.
Treeline: Ribs stop at nine different heights; the last sixteen finish alone.

Each Standard spends about 34 hours on the printer; each Large, more than 45. They are made a few at a time in Seattle.

Two objects in one.

Switched off, EVERGREEN is a green sculpture — a small stand of trees on the table. Switched on, the bulb appears behind the ribs and light slips out through every gap.

EVERGREEN switched off on a walnut sideboard in daylight

The same sideboard in the evening with EVERGREEN switched on

OffThe rib cage carries the room: colour, silhouette, and the stepped top edge.

OnThe internal bulb glows through the gaps; the green goes deeper around it.

After darkOn a pale surface, the ribs throw long radiating lines of shadow.

At home in the room.

Sized as a design object, not a centrepiece. EVERGREEN sits on a sideboard, nightstand, desk, or console without taking it over.

Living room with EVERGREEN switched off — **Living room**Walnut sideboardOff

Reading corner with EVERGREEN lit — **Reading corner**Side tableOn

Living with EVERGREEN switched off — **Living**ConsoleOff

Dining with EVERGREEN lit — **Dining**CredenzaOn

Bedroom with EVERGREEN lit — **Bedroom**Evening, dresserOn

Entry with EVERGREEN lit — **Entry**Stone consoleOn

Room and forest scenes are styled visualisations.

Two sizes, one silhouette.

Drawn to the same scale. The Large is about 29% taller and 21% wider than the Standard.

EVERGREEN Standard, 10.5 inches high and 7 inches wide, and Large, 13.5 inches high and 8.5 inches wide, drawn to the same scale

	Standard	Large
Height	10.5 in	13.5 in
Width	7 in	8.5 in
Print time	≈ 34 h	45+ h
Price	$169	$249
Best on	Nightstand, shelf, desk	Sideboard, console, credenza

Reviews

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30-day returns, free return label · 1-year warranty

Questions

NORE lamps are mood lamps, not a room’s main light. The translucent shade diffuses a soft, warm glow that fills a bedside table or a corner. For reading or work, pair it with a brighter lamp or an overhead light.

All questions →

EVERGREEN · Pacific Northwest Collection

Bring a little forest light into the room.

Standard · H 10.5 × W 7 in · $169
Large · H 13.5 × W 8.5 in · $249

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Questions: hello@nore.design